The 226 original resources developed for this open-access website have been designed for those of you interested in learning about contemporary Mongolian-in-Mongolia society and culture. The focus is on teaching and learning. Articles about creative workspaces, as well as music videos on YouTube that I’ve produced or contributed to, can also be found here.
Begun in 2004, the CPinMongolia Project remains ongoing as of August 2026.
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Categories in Alphabetical Order (A to Z)
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1. ARTSCAPES: visual narratives
- Artscape 19: Balin for the New Year
- Artscape 18: Mongolian womanhood, desert canyon
- Artscape 17: Hallway Installation
- Artscape 16: Oсень
- Artscape 15: Хор Мандал
- Artscape 14: Эрхи
- Artscape 13: Noboru
- Artscape 12: Magenta pelargonium
- Artscape 11: View from my window
- Artscape 10: The look of compassion: seated Quanyin
- Artscape 09: Gratitude —a cornerstone!
- Artscape 08: Revitalising the life of social objects
- Artscape 07: During the socialist times —a cornerstone!
- Artscape 06: Соёнбот орон central temple room
- Artscape 05: Соёнбот орон: invoking culture-scriptural continuities
- Artscape 04: Mandalas in texta
- Artscape 03: Tsagaan Sar Torma
- Artscape 02: The Great Nenchen
- Artscape 01: Tooltalking
- Motif 03: Dragons Dancing with Blue Wind
2. INTERMEDIA: backstories to music videos on YouTube
- Intermedia 16: Dejiin Nogoo: an immersive landscape
- Intermedia 15: Цэнxэpийн гoлoop нутаг минъ
- Intermedia14: La Patineuse a Glace
- Intermedia 13: Shuugiantai Salkhi
- Intermedia 12: Asian Lotus Flower 02
- Intermedia 11: Asian Lotus Flower
- Intermedia 10: White orphan camel calf
- Intermedia 09:Petrichor
- Intermedia 08: Idea 10
- Intermedia 07: Listen to the notes no.1
- Intermedia 06: Silent Moon
- Intermedia 05: Adagio Cool Autumn
- Intermedia 04: The Wish to Make One’s Way Towards a Distant Enlightenment
- Intermedia 03: Father Mother of Mine
- Intermedia 02: After Crossing the Altai Mountains
- Intermedia 01: Nain-Navaa
- Motif 02: Working with a musical motif: In a Persian Market
- Motif 01: Working with a musical motif: Nino Rota
3. INTERMEDIA: music videos on YouTube
- Soundscape 17: Biyelgee of Everyday Life
- Intermedia 16: Dejiin Nogoo: an immersive landscape
- Intermedia 15: Цэнxэpийн гoлoop нутаг минъ
- Landscape 14: Aal (zan)
- Intermedia 14: La Patineuse a Glace
- Intermedia 13: Shuugiantai Salkhi
- Intermedia 12: Asian Lotus Flower 02
- Intermedia 11: Asian Lotus Flower
- Soundscape 12: A Farewell Melody
- Intermedia 10: White orphan camel calf
- Intermedia 09: Petrichor
- Intermedia 08: Idea 10 on You Tube
- Soundscape 11: Levitate on You Tube
- Intermedia 07: Listen to the notes no.1 on You Tube
- Intermedia 06: Silent Moon (visual piano improv) on You Tube
- Intermedia 05: Adagio Cool Autumn on You Tube
- Intermedia 04: The Wish to Make One’s Way Towards a Distant Enlightenment on You Tube
- Intermedia 03: Father Mother of Mine ( visual piano) on You Tube
- Intermedia 02: After Crossing the Altai Mountains (visual piano) on You Tube
- Intermedia 01: Nain Navaa (visual piano improv.) on You Tube
- Music 10: Ejel Gansam animated piano on You Tube
- Music 09: Coming Home jazz piano on You Tube
- Music 08: Amyrai for piano on You Tube
- Music 07: Coming Home classical piano on You Tube
- Music 03: The Five Dakini Piano Variations on You Tube
- Music 02: Five Dakinis Fugue on You Tube
- Music 01: Harmony of the Dakinis Chorale on You Tube
- Soundscape 06: Etude for Astrid on You Tube
- Fluxus in F for Adriana on You Tube
- Etude for Naro on You Tube
- Soundscape 03: Friends, improvisation for viola and piano on You Tube
- Working with a musical motif: In a Persian Market on You Tube
- Soundscape 01: for Morin Khuur and Saxophone on You Tube
4. LANDSCAPES: social and historical terrains
- Landscape 17: Echo
- Landscape 16: Dinosaur fossil in the Gobi oldest ever found
- Landscape 15: Dawn’s Embrace
- Landscape 14: Aal (zan)
- Landscape 13: Transition-ing Mongolia
- Landscape 12: Huurai Relations
- Landscape 11: Teaching and Learning circa 2019
- Landscape 10: Teaching and Learning in situ circa 2005
- Landscape 09: Modes of Contribution
- Landscape 08: Women and re-place-ing Mongolian Buddhism
- Landscape 07: In the Family 01
- Landscape 06: For the Record
- Landscape 05: Living Voices
- Landscape 04: Cоёнбот Oрон (Soyombot Oron) temple consecration
- Landscape 03: Transition-ing
- Landscape 02: a Social Matrix for Local Reconstruction
- Landscape 01: The Dog of Heaven
5. LETTERS FROM MONGOLIA: nomadic and buddhist textures in everyday life
- Letter from Mongolia 29: AI Angir Mother
- Letter from Mongolia 28: Friendship, Masculinity & Memory
- Letter from Mongolia 27: This Year’s Maidar Procession at Delgeriin Choira
- Letter from Mongolia 26: On Faith and Devotion: Part 3
- Letter from Mongolia 25: On Faith and Devotion: Part 2
- Letter from Mongolia 24: On Faith and Devotion: Part 1
- Letter from Mongolia 23: The Maidar Procession
- Letter from Mongolia 22: Taking Stock
- Letter from Mongolia 21: Home’s Distant Outline
- Letter from Mongolia 20: Woven Sonic Fabric
- Letter from Mongolia 19: Udgan Tenger
- Letter from Mongolia 18: a deliberately interdisciplinary practice
- Letter from Mongolia 17: Greetings of Peace
- Letter from Mongolia 16: Tsagaan Sar: a good beginning
- Letter from Mongolia 16: Tsagaan Sar: a seasonal threshold
- Letter from Mongolia 15: Tsagaan Sar: Kinship Renewed
- Letter from Mongolia 14: Chandmani Erdene
- Letter from Mongolia 13: Setgel in Translation
- Letter from Mongolia 12: On Meritocracy
- Letters from Mongolia 11: Translation as re-creation
- Letters from Mongolia 10: Homage
- Letter from Mongolia 09: Situated Interpretation
- Letter from Mongolia 08: Honouring the Past —a cornerstone!
- Letter from Mongolia 07: Music and Imagination
- Letter from Mongolia 06: Transformational Creativity
- Letter from Mongolia 05: Poetics
- Letter from Mongolia 04: Close to one’s chest
- Letter from Mongolia 03: Familial spaces
- Letter from Mongolia 02: The Kitchen-house
- Letter from Mongolia 01: Eej and the new lam
- Letters from Mongolia: an overview
6. MONGOLIAN POETRY: English translations with notes
- Mongolian Poetry 62: “Think Well” in Five Stanzas
- Mongolian Poetry 61: Put Yourself in Another’s Place
- Mongolian Poetry 60: Longing
- Mongolian Poetry 59: Playing Nadam
- Mongolian Poetry 58: Let Nothing Be Carried Beyond Its Measure
- Mongolian Poetry 56: Where is the Enemy We Fear?
- Mongolian Poetry 55: Old Photo Album
- Mongolian Poetry 54: Refrain From Being Easily Swayed
- Mongolian Poetry 53: Some
- Mongolian Poetry 52: Above the Tsaidam Plain
- Mongolian Poetry 51: Venerable Bogd Abides Cool and Clear
- Mongolian Poetry 50: The World is Not Small
- Mongolian Poetry 49: What Kind of Wind is Stirring?
- Mongolian Poetry 48: Taking Bearings From the Centre
- Mongolian Poetry 47: Five Hundred Glances
- Mongolian Poetry 46: The Fourth Month
- Mongolian Poetry 45: Do You Remember,
- Mongolian Poetry 44: The Five Stanzas
- Mongolian Poetry 43: Do Not Pluck the Flower!
- Mongolian Poetry 42: Adverse Circumstance, Your True Companion
- Mongolian Poetry 41: Your Orbit, My Orbit
- Mongolian Poetry 40: You Have No Choice but to Remember Me
- Mongolian Poetry 39: If You…
- Mongolian Poetry 38: A Certain Encouragement
- Mongolian Poetry 37: Who Has Ever Seen the Tears of a Fish?
- Mongolian Poetry 36: There Will Be Great Suffering, Take Heed!
- Mongolian Poetry 35: What It Means to Be Called Mongol
- Mongolian Poetry 34: Resting in the Depth of Meaning
- Mongolian Poetry 33: Listen! Consider!
- Mongolian Poetry 32: A Thousand Autumns
- Mongolian Poetry 31: Tears Are More Precious Than Laughter
- Mongolian Poetry 30: If You Seek To Truly Exist
- Mongolian Poetry 29: If You Should Miss Me
- Mongolian Poetry 28: Plateau of the High Mountains
- Mongolian Poetry 27: The Seal Pressed into Mind
- Mongolian Poetry 26: I am Dedicated to You
- Mongolian Poetry 25: Between Dawn and the Middle
- Mongolian Poetry 24: The Great Immutable Khangarid
- Mongolian Poetry 23: Do Not Give Up —a cornerstone!
- Mongolian Poetry 22: Rare Heart
- Mongolian Poetry 21: From the Landscape of the Mind, I Seek You —a cornerstone!
- Mongolian Poetry 20: That Which Stirs the Heart
- Mongolian Poetry 19: An Unusual Season
- Mongolian Poetry 18: No Dimension, No Intersection
- Mongolian Poetry 17: Mirror of the Heart
- Mongolian Poetry 16: Be at Peace
- Mongolian Poetry 15: Time
- Mongolian Poetry 14: Itself a Poem
- Mongolian Poetry 13: Going
- Mongolian Poetry 12: Never
- Mongolian Poetry 11: Legendary Beings
- Mongolian Poetry 10: Reflection
- Mongolian Poetry 09: Poems and Tears
- Mongolian Poetry 08: Feel for Yourself
- Mongolian Poetry 07: Inner Wind’s Mirror
- Mongolian Poetry 06: Earth’s Clouds Sky’s Mist
- Mongolian Poetry 05: One Living Universe
- Mongolian Poetry 04: Thoughts from an overnight stay on the remote steppe
- Mongolian Poetry 03: Wonderful Etude of the Milky Way
- Mongolian Poetry 02: A Plum is Blossoming
- Mongolian Poetry 01: Waiting
7. MUSIC SKETCHBOOK: compositions on YouTube – short works
- Soundscape 13: Magnolian Waltz on You Tube
- Intermedia 14: La Patineuse a Glace on You Tube
- Soundscape 06: Etude for Astrid on You Tube
- Fluxus in F for Adriana on You Tube
- Etude for Naro on You Tube
- Soundscape 01: for Morin Khuur and Saxophone on You Tube
8. OUT AND ABOUT: local-global encounters
- Out and About 19: Khui Doloon Khudag: Naadam on the Open Steppe
- Out and About 18: Naadam Beyond Sport
- Out and About 17: The Solitary Tree
- Out and About 16: New York
- Out and About 15: Egshiglen
- Out and About 14: Cultural revitalisation in the Gobi
- Out and About 13: Amicizia senza confini
- Out and About 12: Guigen Qigong
- Out and About 11: All About that Bass
- Out and About 10: In the Family
- Out and About 09: day trip to Bregenz
- Out and About 07: Соёнбот орон temple opening official celebration
- Out and About 06: Zava Damdin 150th Anniversary Conference
- Out and About 05: Temuulen in Paris
- Out and About 04: Gandan Lhavjaa in Ulaanbaatar
- Out and About 03: Asia-Pacific Inter-cultural Meeting at Gobi’s Delgertsogt Mountain
- Out and About 02: Celebrations in the Gobi
- Out and About 01: 100th Anniversary of Artist L.Namkhaitseren
9. SOUNDSCAPES: backstories to music videos on YouTube
- Soundscape 17: Biyelgee of Everyday Life
- Soundscape 16: Idrengiin Govior
- Soundscape 15: Dream Rain
- Soundscape 14: Changeover
- Soundscape 13: Magnolian Waltz
- Soundscape 12: A Farewell Melody
- Soundscape 11: Levitate
- Soundscape 10: Ejel Gansam
- Soundscape 09: Coming Home
- Soundscape 08: Amyrai
- Soundscape 07: Coming Home: on Country
- Soundscape 06: An Etude for Astrid
- Soundscape 05: Fluxus in F
- Soundscape 04: Creative Distanciation: Etude for Naro
- Soundscape 03: Friends, improvisation for viola and piano
- Soundscape 02: My River Kharaa with Waves of Pearl
- Soundscape 01 for Morin Khuur and Saxophone
10. VIDEO AND FILM
- Music Video 03: Going
- Music Video 02: Harmony of the Mandala
- Music Video 01: Praise to the Five Dakinis Mongolian with English subtitles
- Film 02: City of Wind
- Film 01: Echoes of the Empire: beyond Ghengis Khan
11. VIGNETTES: Women’s stories from longitudinal ethnographic fieldwork
- Vignette 09: Narantsetseg
- Vignette 08: Handmaa
- Vignette 07: Gantumur
- Vignette 06: What’s in a Name?
- Vignette 05: Krisztina
- Vignette 04: Katharina
- Vignette 03: Enerel
- Vignette 02: Gantsatstral
- Vignette 01: Urantsetseg
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Notes
For more than two decades I have pursued questions concerning the nature of Mongolian nomadic and Buddhist philosophy, drawing on both the books that line my shelves and the growing number of digital repositories that have transformed access to manuscripts, archives, museum collections, and scholarly literature.
I never set out to write a website. Rather, the website became the place where the accumulated results of that research found their natural home.
Although its form is digital rather than printed, I have tried to approach each article with the same care that I would devote to a chapter in a book: weighing words carefully, distinguishing evidence from interpretation, and acknowledging the many people and institutions whose work has made my own possible.
Scholarly care resides not in the medium, but in the attention brought to each sentence; the writing surface does not determine the weight of the words placed upon it. —CP
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Attribution
On-screen and other metadata have been embedded within each post and its multimedia asset(s) to identify and preserve the provenance of the components that form part of each intermedia composition or research article, for example, by retaining the names of people associated with their photographs and other contributions.
In an increasingly online and anonymised environment, where material is readily copied, reposted, decontextualised, and redistributed, I endeavour to uphold established ethical scholarly practices and publishing conventions.
Although CPinMongolia.com is open access and without a paywall, open access should not be understood as the absence of attribution: readers and researchers are encouraged to preserve provenance, acknowledge authorship and contributors, and cite or link to the original source when reusing or referring to material published here.
In keeping with ethical scholarly research and publishing practices, and with the Creative Commons Attribution 4.0 International (CC BY 4.0) Licence, anyone using, adapting, or translating into another language all or part of an article published on CPinMongolia.com—whether for accreditation, publication, or any other purpose under their own name—should acknowledge the original URL, CPinMongolia.com as the online repository, and the author(s) as the source. Failure to provide such attribution is inconsistent both with established scholarly practice and with the attribution requirements of the CC BY 4.0 Licence.
end of transcript.
© 2013-2026. CP in Mongolia. “INDEX” is licensed under the Creative Commons Attribution 4.0 International License. Documents and other works linked from this page may be subject to other restrictions. Created: 17 February 2017. Last updated: 10 August 2026.