A translation into the English language by the young scholar Naro, of a poem by Mongolian scholar-poet Zava Damdin (b. 1976). Please refer to the Index of Mongolian Poetry and Articles for other works that may be of interest.
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TIME
(English Translation)
Time, you are like a bird
Like a path in the sky, you fly by
Whilst sitting, you still fly within your thoughts
Yet, there’s nothing to hold in the hand
Flying is … as if standing on thin air
Like standing ceases to exist
Yet unable to grasp within one’s mind
Time, you are like a fish
Like a water path, you swim past
Whilst stopped, the fins are still moving
No trace detectable within the water
Swimming is, as if a mere stop in waters
Nothing left of the past, nothing arriving of the future
The present, never halting
Time, you are like an antelope
Like a mirage, you flash across
Whilst lying down, still galloping in one’s thoughts
No destination within the mind
Galloping, is a mere touch of the ground, a mere breath of the wind
The present is like the arrival and passing of time
Nothing kept within the steppe breeze
Time, you are like a metropolis
Buildings so tall, yet smaller than the mind
Fast vehicles, yet slower than one’s thoughts
Society, yet as if a single person’s play
Time, no one can trick you
Although no physical form, you’re a noble judge
Although without eyes, you see everything
Although without ears, you hear all
But no entity can judge you
And no one can see nor hear you
No one can clutch or confine you
You, the king of death, who weighs the truth and lies
Oh time, I sometimes cherish you
Sometimes, I fear you
Sometimes, I imagine you in forms
Sometimes, I imagine that I am you
by
The Little Hermit of Grassy Mountain
Translation by Naro
27.05.2024
Pure Land of Soyombo
(Reprinted with permission)
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Translation is always an interpretation into another culture.
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FURTHER READING
In the Mongolian literary tradition, the concept of ‘Time’ is rarely viewed as a linear progression. Examining the historical context of the verse reveals how a poet can navigate these temporal layers, transforming a singular, transient observation into a permanent scholarly artefact. As we consider the intersections of ‘Time’ and the written verse, I humbly direct the reader to Mongolian Poetry 64: On Writing Poetry, which further examines the scholar-poet’s role in preserving the fleeting experiential moment within his Mongolian tradition.
Intermedia14: La Patineuse a Glace explores an original contemplative waltz for solo piano, using musical time, movement and phrasing to evoke the fluidity and exhilaration of figure skating.
Letter from Mongolia 05: Poetics introduces Confucian-inspired Chinese poetics through xing, guan, qun and yuan, exploring poetry as social discourse, aesthetic practice and personal cultivation.
Landscape 07: In the Family 01 explores generational time in Mongolian lineage and identity, considering women’s roles in sustaining family memory as a stabilising practice across generations.
Soundscape 13: Magnolian Waltz A breezy intermediate-level solo piano waltz inspired by a traditional melody encountered in Mongolia, presented alongside several other waltzes, including original compositions and a personal favourite.
Out and About 14: Cultural revitalisation in the Gobi considers the continuing revitalisation of Delgeruun Choira monastery in Dundgobi, including monastic study, reconstruction, and the legacy of Sakya Pandita in Mongol history.
end of transcript.
Refer to the INDEX for other music and articles that may be of interest.
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© 2013–2026. CP in Mongolia. “Mongolian Poetry 15: Time” is licensed under the Creative Commons Attribution 4.0 International License. Open access should not be understood as the absence of attribution. Documents linked from this page may be subject to other restrictions. Posted: 5 August 2026. Last updated: 28 August 2026. |

